The Dome of the Rock, the beautiful Muslim shrine in the walled Old City of Jerusalem, was fully restored to its original state in the last half-century. Thus, this structure, sited on the third holiest spot on earth for Muslims, is at once a product of the seventh century and almost entirely the work of our own times--a paradox in keeping with the complexities and contradictions of history and religion, architecture and ideology that define this site.
This book tells the story of the Dome of the Rock, from the first fateful decades of its creation--on the esplanade built in the fourth decade B.C.E. for the Second Jewish Temple--to its engulfment in the clashes of the Crusades and the short-lived Christianization of all of Jerusalem, to its modern acquisition of different and potent meanings for Muslim, Christian, and Jewish cultures.
Oleg Grabar's presentation combines what we know of the building with the views of past observers and with the broader historical, cultural, and aesthetic implications of the monument. Primarily it is as a work of art that the Dome of the Rock stands out from these pages, understood for the quality that allows it to transcend the constrictions of period and perhaps even those of faith and culture. Finally, Grabar grapples with the question this monumental work of art so eloquently poses: whether the pious requirements of a specific community can be reconciled with universal aesthetic values.
The first book of its kind, this richly informative and comprehensive guide to the world of late antiquity offers the latest scholarship to the researcher along with great reading pleasure to the browser. In eleven comprehensive essays and in over 500 encyclopedic entries, an international cast of experts provides essential information and fresh perspectives on the history and culture of an era marked by the rise of two world religions, unprecedented political upheavals that remade the map of the known world, and the creation of art of enduring glory.
By extending the commonly accepted chronological and territorial boundaries of the period--to encompass Roman, Byzantine, Sassanian, and early Islamic cultures, from the middle of the third century to the end of the eighth--this guide makes new connections and permits revealing comparisons. Consult the article on "Angels" and discover their meaning in Islamic as well as classical and Judeo-Christian traditions. Refer to "Children," "Concubinage," and "Divorce" for a fascinating interweaving of information on the family. Read the essay on "Barbarians and Ethnicity" and see how a topic as current as the construction of identity played out in earlier times, from the Greeks and Romans to the Turks, Huns, and Saxons. Turn to "Empire Building" to learn how the empire of Constantine was supported by architecture and ceremony.
Or follow your own path through the broad range of entries on politics, manufacturing and commerce, the arts, philosophy, religion, geography, ethnicity, and domestic life. Each entry introduces readers to another facet of the postclassical world: historic figures and places, institutions, burial customs, food, money, public life, and amusements. A splendid selection of illustrations enhances the portrait.
The intriguing era of late antiquity emerges completely and clearly, viewed in a new light, in a guide that will be relished by scholars and general readers alike.
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